FULLY SCRIPTED: Bloody Pulp, pages 1-2

Over at the Zuda competition, folks have expressed a lot of enjoyment and interest in the writing that supports BLOODY PULP.  So we thought it might be interesting to share the script here. Below you’ll find the first two pages from the 8 page script. Please feel free to leave your thoughts in the comment area. We’ll post more pages from the script throughout July. Enjoy!

BLOODY PULP
written by Jorge Vega

PAGE ONE (5 PANELS)

Panel 1 – EUSTACE PARKS sits under a single light bulb in a heavy, hard wood chair. It’s an old electric chair. His forearms are lashed to the chair’s arms, his calves restrained as well. The chair itself is bolted into the concrete floor. EUSTACE’S face is a bloody Picasso hung over a neck.

EUSTACE (small)
Hupf.

PANEL 2 – A massive, gnarled fist comes into the panel. It hits EUSTACE’S face as if it were nothing more than a watermelon— red sprays everywhere. EUSTACE’S skull rattles against the chair’s high back.

PANEL 3 – CARLO stands at the edge of the light, smoking a cigarette; a short pencil thin man with shoulders so disproportionally wide it’s easy to see why the family calls him “TABLETOP”. PULP stands next to him, though all we see is an arm hanging at his side. PULP’S arm is covered, almost up to the elbow, in blood. There’s a small fleck of white lodged in PULP’S bloody fist.

CARLO
Wrong answer.

Panel 4 – Same. CARLO moves his head slightly, noting the white spot on PULP’S hand.

Panel 5 – Same. CARLO looks up at PULP’S off panel face.

CARLO
You gotta tooth stuck in your hand.

Panel 6 – Same. PULP’S lifted his hand out of the panel to examine the embedded tooth. CARLO takes a drag from his cigarette.

PULP (op)
Thanks.

CARLO
Should tape your hands.

PULP (op)
I’ll look into that.

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